Category: Music Discussion

Introduction to Earworms:

Have you ever found yourself humming the same tune over and over again, unable to shake it off? You’re not alone. Many people experience the curious phenomenon known as an “earworm” – a catchy piece of music that loops incessantly in the mind, sometimes for hours or even days. Earworms can be both delightful and frustrating, but what exactly causes them? In this article, we delve into the science behind earworms to understand why certain melodies get stuck in our heads and what factors contribute to this captivating yet sometimes vexing experience.

What is an Earworm?

An earworm, also referred to as an involuntary musical imagery (INMI), is a catchy and repetitive fragment of music that plays repeatedly in one’s mind without conscious effort. These snippets of music can range from a few notes to entire choruses and can be triggered by external stimuli such as hearing a song on the radio or internally generated without any apparent external cues.

The Experience of an Earworm:

Earworms are often described as intrusive, yet they can vary greatly in intensity and duration from person to person. Some individuals may find them enjoyable and even use them as a form of mental stimulation or distraction, while others may find them annoying or distracting, especially when trying to focus on tasks that require concentration.

The Science Behind Earworms:

Several factors contribute to the occurrence of earworms, including the structure of the music itself, individual differences in cognitive processing, and psychological mechanisms. Let’s explore each of these factors in more detail:

1. Musical Structure:

Certain characteristics of music make it more likely to become an earworm. Catchy melodies with simple, repetitive patterns and a strong rhythmic or harmonic structure are more likely to get stuck in our heads. These melodies often have a hook or a memorable phrase that easily embeds itself in our memory, making it more susceptible to involuntary recall.

Additionally, the “repetition-eliciting factor” plays a significant role in earworm formation. When a song has a repetitive structure or features a recurring motif, it increases the likelihood of it becoming stuck in our minds. This repetition primes our brains for continued processing of the musical information, reinforcing its presence in our mental space.

2. Cognitive Processing:

Individual differences in cognitive processing also influence susceptibility to earworms. Research suggests that people who are more musically inclined or have a greater tendency to engage in musical imagery are more likely to experience earworms. This could be due to differences in auditory memory, attentional processes, or the way the brain encodes and retrieves musical information.

Moreover, the “Zeigarnik effect,” a psychological phenomenon that describes the tendency to remember unfinished or interrupted tasks, may contribute to the persistence of earworms. When a musical passage or song is left unresolved or incomplete, our brains may continue to loop it in an attempt to achieve closure, leading to the persistence of the earworm.

3. Emotional and Contextual Factors:

Emotions and contextual cues also play a significant role in the formation and persistence of earworms. Music has a powerful ability to evoke emotions and associations, and songs that are linked to specific memories or experiences are more likely to become earworms. For example, hearing a song associated with a particular time or place may trigger its involuntary recall, even if it has been years since the initial exposure.

Furthermore, stress, fatigue, or boredom can increase susceptibility to earworms by altering cognitive processes and reducing inhibitory control. In these states, our brains may be more prone to repetitive thought patterns, making it easier for earworms to take hold and persist.

Managing Earworms:

While earworms can be challenging to control, there are several strategies that individuals can employ to manage them effectively. These include:

• Engaging in a competing task or activity to distract the mind from the earworm.
• Listening to a different piece of music to interrupt the repetitive pattern.
• Engaging in mindfulness or relaxation techniques to reduce stress and cognitive overload.
• Completing the unresolved musical passage or mentally “finishing” the song to achieve closure.

Conclusion:

Earworms are a fascinating and ubiquitous aspect of human experience, reflecting the intricate interplay between music, memory, and cognition. While the exact mechanisms underlying earworm formation remain the subject of ongoing research, it is clear that a combination of musical structure, cognitive processing, and emotional factors contribute to their occurrence. By understanding the science behind earworms, we can gain insights into how our brains process and perceive music, as well as develop strategies for managing and embracing this captivating phenomenon. So the next time you find yourself with a catchy tune stuck in your head, remember that you’re not alone – and there’s science behind the music playing in your mind.

A Guide to Buying Records at Record Fairs

Record fairs are a haven for music enthusiasts, offering a treasure trove of vinyl records spanning genres and eras. Whether you’re a seasoned collector or a newcomer to the world of vinyl, navigating a record fair can be an exhilarating experience. To make the most of your visit and ensure you find the records you love, here’s a guide to buying records at record fairs:

1. Do Your Research: Before attending a record fair, research the event to see which vendors will be present and what genres they specialise in. This can help you prioritise which stalls to visit first and maximise your time at the fair.

2. Set a Budget: It’s easy to get carried away when surrounded by rows of tempting records. Set a budget before you go to avoid overspending and prioritise your purchases accordingly.

3. Arrive Early: The early bird catches the worm, and this is especially true at record fairs. Arriving early gives you the best chance of finding rare records before they’re snatched up by other collectors.

4. Bring Cash: While some vendors may accept card payments, many prefer cash. Bring enough cash to cover your budget, as well as some extra for unexpected finds.

5. Take Your Time: Don’t rush through the fair. Take your time to browse through the records, flip through crates, and explore different stalls. You never know what hidden gems you might uncover.

6. Check the Condition: Examine the condition of the records carefully before making a purchase. Look for scratches, warping, and signs of wear that could affect the sound quality. Many vendors will grade their records, so familiarise yourself with the grading system to make informed decisions.

7. Haggle (Politely): Don’t be afraid to negotiate the price, but do so politely. Remember that vendors have put time and effort into curating their collections, so be respectful when making offers.

8. Explore Different Genres: While it’s tempting to stick to your favourite genres, don’t be afraid to explore different musical styles. You might discover new artists and albums that pique your interest.

9. Ask Questions: Don’t hesitate to ask vendors for recommendations or information about specific records. They’re usually passionate about music and happy to share their knowledge with fellow enthusiasts.

10. Trust Your Instincts: Ultimately, trust your instincts when making purchases. If a record speaks to you, go for it! The joy of vinyl collecting lies in the personal connection you have with the music.

11. Enjoy the Experience: Above all, enjoy the experience of browsing through stacks of vinyl, chatting with fellow collectors, and immersing yourself in the world of music. Record fairs offer a unique opportunity to connect with like-minded individuals and celebrate the magic of vinyl.

By following these tips, you’ll be well-equipped to navigate record fairs with confidence and add some fantastic additions to your music collection. Happy hunting!

Vangelis, whose real name is Evangelos Odysseas Papathanassiou, is a renowned Greek composer and musician known for his pioneering work in electronic and synthesiser music. Born on March 29, 1943, in Volos, Greece, he has left an indelible mark on the world of music, particularly in the realm of film scores and electronic music.

Famous Songs:

1. “Chariots of Fire” (1981): Perhaps Vangelis’ most famous composition, this instrumental piece served as the theme for the 1981 film of the same name. It won the Academy Award for Best Original Score and remains an iconic piece of music.
2. “Blade Runner Blues” (1982): Featured in the soundtrack of the cult classic film “Blade Runner,” this haunting and atmospheric track captures the cyberpunk essence of the movie.
3. “Conquest of Paradise” (1992): Composed for the film “1492: Conquest of Paradise,” this track showcases Vangelis’ signature style of blending electronic and orchestral elements.
4. “Rachael’s Song” (2007): Created for the director’s cut of “Blade Runner,” this track is a melancholic, yet beautiful piece that perfectly complements the film’s mood.

Albums: Vangelis has released numerous albums throughout his career. Some of his most notable works include:

1. “Heaven and Hell” (1975): This album features the iconic track “Spiral” and is considered a classic in the electronic music genre.

2. “Albedo 0.39” (1976): Known for its blend of spacey, ambient sounds and classical influences, this album is a testament to Vangelis’ versatility.

3. “Blade Runner” (1994): This album, though released much later than the film’s original score, is a definitive collection of Vangelis’ compositions for “Blade Runner.”

4. “Direct” (1988): This album demonstrates Vangelis’ exploration of new sounds and technological advancements in electronic music.

Album Artwork: Vangelis’ album artwork often reflects the themes of his music. His album covers are minimalist and futuristic, often featuring abstract or space-related imagery. For example, the cover of “Albedo 0.39” includes a striking image of Earth and the sun, symbolising the album’s cosmic themes. The artwork for “Blade Runner” features a futuristic cityscape, which perfectly complements the film’s dystopian setting.

Discography: Vangelis has an extensive discography that spans several decades. Some of his notable albums include:

1. “Earth” (1973)
2. “Spiral” (1977)
3. “Opera Sauvage” (1979)
4. “Antarctica” (1983)
5. “Mythodea: Music for the NASA Mission: 2001 Mars Odyssey” (2001)
6. “Rosetta” (2016)

His music often combines classical and electronic elements, creating a unique and timeless sound that has earned him a devoted fanbase around the world. Vangelis’ contributions to the world of electronic and film music have solidified his status as a musical visionary and a pioneer in the genre.

Vangelis, the Greek composer and electronic music pioneer, has had a fascinating career with many lesser-known aspects. Here are some obscure and little-known facts about him:

1. Early Olympic Dreams: Before gaining fame as a musician, Vangelis was an aspiring athlete and had dreams of competing in the Olympics. He even trained as a professional sprinter.

2. Pioneering Music Technology: Vangelis was an early adopter of innovative music technology. He was one of the first musicians to use the Yamaha CS-80 synthesizer, which became an iconic instrument in his work.

3. Early Experiments with Tape Loops: In the early days of his career, Vangelis experimented with tape loops, creating complex and layered soundscapes. This technique would influence his later electronic music compositions.

4. Formation of Aphrodite’s Child: Vangelis was a founding member of the progressive rock band Aphrodite’s Child. The band was known for its experimental and psychedelic sound and enjoyed some success in the late 1960s.

5. Soundtracks for Deep Sea Exploration: Vangelis composed music for underwater documentaries, including the 1988 documentary “The Deep Sea” directed by Jacques-Yves Cousteau. His atmospheric compositions added a unique dimension to these underwater explorations.

6. Multi-Instrumentalist: Vangelis is not only a synthesizer virtuoso but also a skilled multi-instrumentalist. He can play a wide range of traditional instruments, including piano, percussion, and various string instruments.

7. Private Music Studio in London: Vangelis has a private music studio in London known as the “Nemo Studio.” This studio is equipped with an array of vintage and custom-made synthesisers and has been the birthplace of many of his iconic compositions.

8. Experimental Approach to Recording: Vangelis is known for his unconventional recording techniques. He often records extended improvisational sessions, capturing moments of creative inspiration that he later arranges into complete compositions.

9. Collaboration with Jon Anderson: Vangelis collaborated with Jon Anderson, the lead vocalist of Yes, on several albums. Their most famous collaboration, “Jon & Vangelis,” produced hits like “I Hear You Now” and “I’ll Find My Way Home.”

10. Religious Inspiration: Many of Vangelis’s works draw inspiration from religious and spiritual themes. His music has been described as transcendent and spiritual, and it often explores themes of human existence and the cosmos.

These obscure facts provide a deeper insight into the life and career of Vangelis, showcasing his diverse talents, unconventional recording methods, and his contributions to various musical genres, from progressive rock to electronic and ambient music.

Vintage Vangelis Vinyl Records For Sale

Punk music, born in the mid-1970s as a visceral, raw, and rebellious response to the established music industry, quickly gained a devoted following. Independent record labels played a pivotal role in nurturing and propagating this subversive genre. Over the years, punk record labels have evolved, adapting to the changing music landscape, while staying true to their countercultural roots.

A History of Punk Record Labels

Punk rock, characterised by its DIY ethos, anti-establishment attitude, and aggressive, high-energy sound, quickly outgrew the traditional record label model. Independent labels became the ideal platforms for punk bands to express themselves freely. Some of the earliest punk record labels, like Stiff Records and Rough Trade in the UK, and SST Records in the United States, paved the way for the movement.

Stiff Records, founded in 1976, released early punk classics from bands like The Damned and Elvis Costello. Rough Trade, established in 1978, played a crucial role in the development of post-punk and alternative rock. SST Records, founded by Black Flag’s Greg Ginn in 1978, became a cornerstone of the American hardcore punk scene.

Catalogue and Impact

These labels, along with countless others, left an indelible mark on the music world. Their catalogues are filled with seminal albums and singles that shaped the punk and alternative music landscape. From the Sex Pistols’ “Never Mind the Bollocks, Here’s the Sex Pistols” on Virgin Records to Dead Kennedys’ “Fresh Fruit for Rotting Vegetables” on Alternative Tentacles, and from Dischord Records releasing Minor Threat’s “Out of Step” to Epitaph Records putting out The Offspring’s “Smash,” these labels helped bring punk to the forefront.

Punk Record Labels Today

In the digital age, the role of punk record labels has evolved. Many have diversified their rosters, embracing various subgenres of punk and related music. Some have even expanded into other music styles. For example, Epitaph Records, initially a punk label, now represents a wide range of artists spanning punk, alternative rock, and more. Fat Wreck Chords, another notable label, continues to release punk rock and skate punk music.

Moreover, independent labels like Burger Records and Run For Cover Records have risen to prominence, maintaining the DIY spirit and releasing music from new and emerging punk and indie artists. They’ve adopted online platforms and social media to connect with audiences and promote their artists.

In recent years, there’s been a resurgence of interest in vinyl records, and many punk labels have embraced this trend, offering limited-edition releases and reissues for collectors and fans.

Punk record labels have come a long way since their inception, but they remain integral to the punk and alternative music scenes. They continue to support and promote artists who embody the countercultural spirit of punk, ensuring that the rebellious and innovative ethos of this music genre persists in the modern music industry. In an era where independence and authenticity are celebrated, punk record labels continue to thrive, delivering a sonic punch to listeners who appreciate the raw, unapologetic spirit of punk.

Below are Some Notable Punk Record Labels and the Artists Associated with them:

1. Stiff Records:
   
   • Artists: Elvis Costello, Ian Dury, Wreckless Eric, Nick Lowe, Madness, The Damned
     
2. SST Records:
   
   • Artists: Black Flag, Minutemen, Hüsker Dü, Sonic Youth, Descendents
     
3. Dischord Records:
   
   • Artists: Minor Threat, Fugazi, Rites of Spring, Nation of Ulysses
     
4. Epitaph Records:
   
   • Artists: Bad Religion, The Offspring, Rancid, Pennywise
     
5. Lookout! Records:
   
   • Artists: Green Day, Operation Ivy, Screeching Weasel, The Queers
     
6. Fat Wreck Chords:
   
   • Artists: NOFX, Lagwagon, Propagandhi, Strung Out
     
7. Sub Pop:
   
   • Artists: Nirvana, Mudhoney, Soundgarden (early years)
     
8. Rough Trade Records:
   
   • Artists: The Smiths, The Raincoats, The Fall, Swell Maps
     
9. Alternative Tentacles:
   
   • Artists: Dead Kennedys, Jello Biafra and the Guantanamo School of Medicine, Butthole Surfers
     
10. Hellcat Records:
    
    • Artists: Rancid, The Transplants, Dropkick Murphys
      
11. Lookout! Records:
    
    • Artists: Operation Ivy, Green Day, Screeching Weasel, The Queers
      
12. Cherry Red Records:
    
    • Artists: Dead Kennedys, The Runaways, The Exploited, The Adverts
      
13. A&M Records:
    
    • Artists: The Police, The Dickies, The Tubes
      
14. Elektra Records:
    
    • Artists: The Stooges, The Cars, The Cure (early years)
      
15. Riot City Records:
    
    • Artists: Vice Squad, Chaos UK, Abrasive Wheels
      
16. Crass Records:
    
    • Artists: Crass, Flux of Pink Indians, Rudimentary Peni
      
17. Lookout Records:
    
    • Artists: Operation Ivy, Green Day, Screeching Weasel, The Queers
      
18. Rat Cage Records:
    
    • Artists: The Damned, The Ruts, The Stranglers
      
19. Round Records:
    
    • Artists: The Vibrators, UK Subs, Johnny Thunders

These labels and the associated artists played a crucial role in shaping the punk rock movement and its various subgenres. They provided a platform for punk bands to express their music, ideas, and critiques of society, ultimately contributing to the vibrant and diverse punk rock culture we know today.

Punk Records and CDs For Sale

Some 10cc Band History

10cc, a British art rock and pop group, emerged in the early 1970s as a musical tour de force. The band’s history can be traced back to Manchester, England, where Graham Gouldman, Eric Stewart, Kevin Godley, and Lol Creme came together. Their diverse musical backgrounds and innovative approach to music composition laid the foundation for a unique and genre-defying sound.

How Did 10cc Get Their Band Name?

The origin of their name is a quirky story. Legend has it that during a dream in which they were running a recording studio, one of the band members saw a nameplate reading “10cc The Best Studio in the World.” The name “10cc” was catchy and memorable, so they adopted it as their band name, which has since become synonymous with their artistic ingenuity.

Who Are The Original 10cc Band Members?

• Graham Gouldman
• Eric Stewart
• Kevin Godley
• Lol Creme

What Are Considered The Best 10cc Songs?

1. “I’m Not in Love” – A hauntingly beautiful ballad, this track remains one of their most iconic songs.
   
   
   10cc - I'm Not In Love
   
   
2. “Dreadlock Holiday” – A reggae-influenced hit with witty lyrics.
   
   
   10cc - Dreadlock Holiday
   
   
3. “The Things We Do for Love” – A catchy, upbeat song showcasing their pop sensibilities.
   
   
   10cc - The Things We Do for Love
   
   
4. “Art for Art’s Sake” – An ode to their artistic philosophy, combining rock and pop elements.
   
   
   Art For Art's Sake
   
   
5. “Rubber Bullets” – A playful, satirical track with a hint of rock ‘n’ roll.
   
   
   10cc - Rubber Bullets (TOTP 1973)

Lyrics of “Dreadlock Holiday”: (Chorus)

Lyrics of “Dreadlock Holiday”: (Chorus) I don’t like cricket, oh no I love it

I don’t like reggae, no no I love it

Don’t you walk through my words You got to show some respect Don’t you walk through my words ‘Cause you ain’t heard me out yet

“Dreadlock Holiday” is a witty and satirical song about cultural differences and misunderstandings. Its reggae-inspired rhythm and catchy melody make it a memorable part of 10cc’s diverse repertoire.

10cc’s innovative fusion of art rock, pop, and satirical lyrics set them apart as a groundbreaking band. Their ability to experiment with various musical styles and produce hits across the spectrum of popular music solidified their status as one of the most creative and influential bands of the 1970s and beyond.

10CC Vinyl Records and CDs For Sale

Introduction to What Make For The Best Classical Music

Classical music, with its rich history spanning several centuries, has left an indelible mark on the world’s cultural tapestry. It’s a genre celebrated for its ability to evoke profound emotions, tell intricate stories, and captivate listeners with its beauty. But what truly makes classical music the “best”? This question lies at the heart of a subjective yet fascinating exploration into the art form that continues to enchant and inspire generations.

The Richness of Classical Music

Classical music is a multifaceted genre characterised by its diversity. It encompasses a wide range of styles, periods, and compositional techniques. From the intricacies of Baroque counterpoint to the emotional depth of Romantic symphonies and the innovation of 20th-century avant-garde compositions, classical music offers a vast and variegated landscape.

1. Technical Mastery: Many consider the “best” classical music to be compositions that exhibit exceptional technical mastery. Composers like Johann Sebastian Bach are revered for their intricate fugues and contrapuntal skills, which have set the standard for musical craftsmanship.
2. Emotional Resonance: Classical music often explores the full spectrum of human emotions. The “best” compositions are those that elicit a genuine emotional response from listeners. Beethoven’s Ninth Symphony, with its triumphant finale, and Tchaikovsky’s “Pathétique” Symphony, with its melancholic intensity, are prime examples.
3. Innovation and Creativity: The best classical music is often groundbreaking in its innovation. Composers like Igor Stravinsky and Claude Debussy pushed the boundaries of tonality and form, leaving an indelible mark on the development of music.
4. Cultural Significance: Some classical compositions are celebrated for their cultural significance. Verdi’s operas, such as “La Traviata” and “Aida,” became symbols of Italian nationalism during the 19th century, resonating deeply with their audiences.
5. Timelessness: Truly great classical music transcends the era in which it was composed, remaining relevant and captivating across generations. The works of Mozart, for instance, continue to enchant audiences worldwide more than two centuries after his death.

The Role of Subjectivity

Subjectivity plays a significant role in determining what makes classical music “the best.” Each listener brings their unique perspective, experiences, and emotional sensibilities to their musical journey. What resonates profoundly with one person might not have the same effect on another. This subjectivity allows classical music to be a deeply personal and introspective art form.

Influence of Interpretation

The interpretation of classical music also influences perceptions of its quality. A piece can take on different nuances and emotional depths depending on the performer’s approach. This interpretive freedom allows for a dynamic and ever-evolving appreciation of classical compositions.

The historical and cultural context in which a piece of classical music was composed can greatly impact its status as one of the “best.” For example, Beethoven’s Ninth Symphony carries a historical weight as a symbol of hope and triumph over adversity, given its composition during his struggle with deafness and the backdrop of the Napoleonic Wars.

However, there are several iconic and universally acclaimed classical compositions and composers that are often recognised for their exceptional quality and influence. As such here are those iconic pieces and often what many refer to as the “Best Classical Music Pieces“:

1. Ludwig van Beethoven – Known for his symphonies, piano sonatas, and chamber music, with Symphony No. 9 (“Choral”) and Symphony No. 5 being particularly famous.

Symphony No. 9 (“Choral”) (Beethoven)

Beethoven 9th Symphony 4th Movement Wiener Philharmoniker, Karl Böhm, on Vinyl, Deutsche Grammophon

Symphony No. 5 (Beethoven)

Beethoven: 5th Symphony (Szell / Concertgebouw Orchestra - 1967 Vinyl LP)

2. Wolfgang Amadeus Mozart – Renowned for his operas, symphonies, piano concertos, and chamber music, with works like “The Magic Flute” and Symphony No. 40 being highly regarded.

The Magic Flute (Mozart)

Mozart Vinyl Records - Vinyl Record Play Of The Magic Flute On Deutsche Grammophon Vinyl

Symphony No. 40 (Mozart)

Mozart: Symphony no. 40 (Schuricht - 1964 - Vinyl LP)

3. Johann Sebastian Bach – Revered for his choral compositions, keyboard works (such as “The Well-Tempered Clavier”), and orchestral music like the Brandenburg Concertos.

The Well-Tempered Clavier (Bach)

Voyager's Golden Record: Bach_ The Well Tempered Clavier

Brandenburg Concertos (Bach)

Brandenburg Concerto III by J.S. Bach (VINYL)

4. Pyotr Ilyich Tchaikovsky – Known for his ballets (“Swan Lake,” “The Nutcracker”), symphonies (especially Symphony No. 5 and No. 6 “Pathétique”), and piano concertos.

Swan Lake (Tchaikovsky)

Peter Tchaikovsky / Berlin Philharmonic - Swan Lake (1972 Vinyl LP) - Technics 1200G / AT ART9XI

The Nutcracker (Tchaikovsky)

Tchaikovsky The Nutcracker Ballet Antal Dorati, London Symphony (Vinyl LP)

Symphony No. 5 (Tchaikovsky)

Tchaikovsky: Symphony no. 5 (Koussevitzky - Boston Symphony Orchestra - 1944)

No. 6 “Pathétique” (Tchaikovsky)

Vinyl: Tchaikovsky - Symphony No. 6 "Pathétique" (Mrawinskij/LP)

5. Antonín Dvořák– Celebrated for his symphonies, chamber music, and the “New World Symphony” (Symphony No. 9).

“New World Symphony” (Symphony No. 9) (Dvořák)

Dvorak - Symphony No. 9 (From the New World) Mvmt 4

6. Claude Debussy– Known for his impressionistic compositions, including “Clair de Lune” and “Prelude to the Afternoon of a Faun.”

Clair de Lune (Debussy)

[Vinyl/LP] Daniel Barenboim- Clair de lune (Debussy)

Prelude to the Afternoon of a Faun (Debussy)

Leonid Kogan plays Debussy 'Prelude to the Afternoon of a Faun' (arr. Heifetz) from vinyl

7. Igor Stravinsky – Renowned for his groundbreaking works like “The Rite of Spring” and “The Firebird.”

The Rite Of Spring (Stravinsky)

Stravinsky - The Rite Of Spring (Markevitch) (vinyl: Ortofon Xpression, Graham Slee, CTC 301)

 

The Firebird (Stravinsky)

Stravinsky: The Firebird. Dorati and LSO. Mercury Records Legendary Recording. (1960)

Verdi

8. Giuseppe Verdi – Famous for his operas, including “La Traviata,” “Rigoletto,” and “Aida.”

La Traviata (Verdi)

Verdi,Joan Sutherland, Pritchard ‎– La Traviata / Highlights SideA【Vinyl LP】

Rigoletto (Verdi)

VERDI: 1927 Complete RIGOLETTO in Restored Sound

Aida (Verdi)

Verdi - Aida - Marches from the Opera (Vinyl RIP, Marble Arch 1965, mono)

9. Richard Wagner– Known for his epic operas, such as “Tristan und Isolde” and “Parsifal.”

Tristan und Isolde (Wagner)

78rpm record: Wagner: Overture from Tristan and Isolde

Parsifal (Wagner)

National Opera Orchestra- Richard Wagner's Parsifal - Excerpts- Full LP Restored

10. Gustav Mahler – Celebrated for his symphonies, especially Symphony No. 2 (“Resurrection”) and Symphony No. 9.

Symphony No. 2 (“Resurrection”) (Mahler)

Mahler Symphony No. 2 in C Minor / WALTER, NYPO (1958 Vinyl LP)

Symphony No. 9 (Mahler)

Gustav Mahler – Symphony No.9 in D major – Herbert von Karajan, Berliner Philharmoniker, 1982 (live)

Conclusion On What Makes The Best Classical Music

What makes the best classical music is a question that invites an array of answers, shaped by personal tastes, cultural backgrounds, and individual experiences. The beauty of classical music lies in its ability to transcend these subjective boundaries and speak to the human soul in myriad ways.

Classical music’s greatness is not confined to any single characteristic but rather encompasses a rich tapestry of technical brilliance, emotional resonance, innovation, cultural significance, and timelessness. It is a genre that continues to inspire, provoke, and elevate the human spirit, reminding us of the enduring power of art to connect us across time and space. The best classical music is, ultimately, the music that resonates most profoundly with each of us, offering a glimpse into the boundless depths of the human imagination and creativity.

 

You know when you look at an Album cover and think, whoa man, that looks cool. Let’s go there. Such is the case when you look at the cover of Caravanserai. With a cover that depicts a desert people crossing a sand tundra with a huge glowing orange sun in the sky you know you might be onto something special. You can’t but wonder what the music is like inside that album cover. I love diving into those kinds of record. I knew nothing of the band Santana before listening to this one. So with the dark nights drawing in and the news hideous I was off. It is the time of year when closing out an evening with an album you’ve never listened to before from a band you know nothing about just seems like the right thing to do. Thus was the start of my journey into the world of Caravanserai.

The album starts with chirping crickets and a Beatles style sax playing in the background with a disorientating melody, it could almost be a didgeridoo. Then comes the bass and symbols, I can almost feel that Massive Attack may have been influenced by this kind of record. This sounds like Nineties ambient music. Nice. Am I at Cafe Del Mar?

Exploring Side 1

Lots of guitar solos, samba drums, Shaft style twangy rifts follow on from the opening on side 1. And, it is a very long beginning, these guys know how to set a scene and build anticipation. Some organs follow with a distinct Jazzy Prog Rock feel. We don’t get vocals until track four on side 1, but thats ok. Who needs formulae when you’re discovering? Those vocals don’t last long but they are good. They lead you in further to a Jazzy cavern setting a really nice immersive ambience. This record doesn’t sound old somehow. It does feels like a journey, I understand the cover better now and its significance. Some could find the guitars solos indulgent but that all depends on the listener, one mans heaven is another’s hell. It doesn’t bother me because this is new and that’s what I’m up for tonight. A huge track at the end of side 1 and the vocals are back, the track feels very jazz like again, different tempos but a nice undercurrent of rhythm that stays constant. Some great bass plucks ending side one and we are through ready for what awaits us on side 2. Great start.

Exploring Side 2

Side two starts way out there, a bit like the beginning of a Seventies Bruce Lee or James Bond film. Bongo drums and some gentle Cuban like vocals in the background. In track two we’ve got some more nice vocals back with organs. This has an avant garde cafe culture jazz feel but definitely more eclectic. Uniformity isn’t welcome here. This band has got me and it is taking me where it pleases. When we hit track three the tempo picks up with a samba drum driving the track forward. I can almost feel Dr Kananga chasing James Bond down the street. Some wild organs playing now twisting my melon with a Doors feel. This is quite a ride and I’m enjoying it. The last track of side two is epic. Huge guitar solos, symbols, deep drums and a carcophony of rhythm bringing us to a dramatic end. Wow. I think this Jazz Prog Rock extravaganza just ate my brain.

This album is not for the faint hearted. This isn’t easy listening. Santana start you slow and lull you in with this LP. The album cover and the music do each other justice on this record. We’ve all seen album covers that promise but often the music lets you down. Not so with Caravanserai. This record could frighten some people off with its lack of uniformity and insistence on Jazzy surprise. I liked it, it would definitely find a home in my collection. The music is escapist and transportive. Thumbs up from me.

I’ve selected track four from side one for the music sample for you guys to listen to here, its one of my favourites on the album.

Santana Caravanserai - Just In Time To See The Sun Vinyl Record Play

I’m glad I listened to this album completely cold without any awareness of the music or band, sometimes its such a delight to have a genuinely new discovery. Here are a few details about the band Santana and the album Caravanserai.

About Santana

The bands name Santana is drawn from the bands founding members name Carlos Santana. Carlos was born in Mexico in July 1947. His musical style is rooted in Jazz, Blues and Latin sounds. In 1966 Carlos formed his band Santana and it was in 1969 and the Woodstock festival where the band came to prominence.

They were signed by Columbia records and had a string of hit records including Evil Ways, Black Magic Woman and Oye Como Va. The album Caravanserai I’ve reviewed here was released in 1972 was at the height of the bands powers.

The word Caravanserai has two meanings. An Indian Yogi, Paramahansa Yogananda stated the word to mean eternal cycle of reincarnation. In the East the word is said to mean a large area that provides refuge for caravans of people travelling communally. I rather like both meanings and they suit the music wonderfully. The album peaked at number six in the R&B charts and was well received by the musical press.

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